
A
move to North Street was forced upon the company in 1952 just before Rock and Roll hit the
shores of Britain and transformed the musical scene. A busy thoroughfare, the shop could
be seen by passengers on the many buses that plied the route. Jazz was also an increasing
influence, fuelled by the Yankee 'Invasion' of Britain during the war. Ronnie Scott bought
saxophones at Scheerers in the 60's. Red Price and many of the Leeds jazz bands were
regular customers. The north swung to the sounds of Scheerer's instruments. With the
Sixties, the musical world moved into the electric age. Guitars sold so fast that staff
were exhausted after a Saturday serving the new 'Beat' generation. Even though he never
quite approved of these newfangled contraptions, Billy turned a blind eye and let Alec
Swain continue with a free hand.
In 1971, Billy's grandson Paul entered the business and effectively
skipped a generation. Billy finally retired in 1974 and Simon his other grandson joined
the firm in 1976. Several changes happened towards the end of the decade. The guitar craze
had settled down but keyboards became ever more popular thanks to advances in electronics.
Amplifiers grew larger and larger. More significantly however, the schools market began to
develop and Scheerers capitalised on this trend. The government put money into musical
education and percussion instruments became very popular. Soon the shop was too small to
cope and the education division had to be split off into premises on Sydenham Road. Simon
eventually took over this side of the business.
Today, it is a thriving business supplying several hundred schools the
length and breadth of the country, particularly primary schools. One very popular service
is the 'Rent Purchase' scheme. Allowing parents to pay a quarterly sum towards an
instrument whilst they are learning it. The scheme takes the risk out of fostering
potential musical talents. The Eighties saw a further expansion of the educational
side as well as the retirement of Alec Swain. To many, numerous customers for his service
and encouragement still warmly remember him. For nearly four decades, he was the public
face of Scheerers. Roy Bedford who also followed ably succeeded him in his footsteps as
bandmaster to the Yorkshire Volunteers.
1986 saw another chapter in the Scheerers story open up. With the closure
of Barkers, there was a gap in the market for sheet music in the area. Christine
Tomlinson, who had been the manager at Barkers, was recruited to set up and develop sheet
music sales within the shop. This has proved so popular and successful that it now
accounts for nearly a fifth of the company's turnover. The retail instrument side takes
one third and the educational division just over half. In 1995 it became clear that, in an
ever changing economic climate, the company's needs would be would be best served if both
the educational and retail divisions were combined under one roof once more. Thus, during
the summer of 1996 a move to 89/90 Merrion Centre was effected whereby an almost fivefold
gain in available display and storage space was gained. The world has changed much in the
last century and Scheerers has changed with it.
Given the tremendous changes over the last 130 years, it is interesting
to try and image the future directions of popular music. Can anyone forecast what we will
be listening to in 25, 50 or 100 years from now probably not? However, the chances are
that John Scheerer and Sons will still be around to cater to new generations of musicians.
Simon Reynolds
Managing Director Page1

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